DEC
16
17

Carl Orff CARMINA BURANA 
Tanztheater von Mei Hong Lin
17.12.2019 | 19.30 Uhr
Großer Saal Musiktheater

18

KONZERT IN SALZBURG #1
18.12.2019 | 19.30 Uhr
Großes Festspielhaus Salzburg

19

KONZERT IN SALZBURG #2
19.12.2019 | 19.30 Uhr
Großes Festspielhaus Salzburg

20

KONZERT IN SALZBURG #3
20.12.2019 | 19.30 Uhr
Großes Festspielhaus Salzburg

21

DIE ENTFÜHRUNG AUS DEM SERAIL 
Oper von Wolfgang A. Mozart
21.12.2019 | 19.30 Uhr
Großer Saal Musiktheater

22

WEIHNACHTSKONZERT 
22.12.2019 | 11.00 Uhr
Brucknerhaus Linz


WEIHNACHTSKONZERT 
22.12.2019 | 15.30 Uhr
Brucknerhaus Linz


DER BETTELSTUDENT 
Operette in drei Akten von Carl Millöcker
22.12.2019 | 19.30 Uhr
Großer Saal Musiktheater

23
24
25
26
27
28

Carl Orff CARMINA BURANA 
Tanztheater von Mei Hong Lin
28.12.2019 | 19.30 Uhr
Großer Saal Musiktheater

29
30

KOST-PROBE#4:
Vom Ländler zu "La Valse" 
30.12.2019 | 12.30 Uhr
Brucknerhaus Linz

31
JAN
01

NEUJAHRSKONZERT
01.01.2020 | 16.00 Uhr
Brucknerhaus Linz

02
03
04

LE SACRE DU PRINTEMPS (DAS FRÜHLINGSOPFER) 
Tanzstück von Mein Hong Lin
04.01.2020 | 19:30 Uhr
Großer Saal Musiktheater

05

DER BETTELSTUDENT 
Operette in drei Akten von Carl Millöcker
05.01.2020 | 19.30 Uhr
Großer Saal Musiktheater

06
07

Carl Orff CARMINA BURANA 
Tanztheater von Mei Hong Lin
07.01.2020 | 19.30 Uhr
Großer Saal Musiktheater

08
09
10

LE SACRE DU PRINTEMPS (DAS FRÜHLINGSOPFER) 
Tanzstück von Mein Hong Lin
10.01.2020 | 19:30 Uhr
Großer Saal Musiktheater

11

Premiere: IL TROVATORE (Der Troubadour) 
Oper
11.01.2020 | 19:30 Uhr
Großer Saal Musiktheater

12
13

DER BETTELSTUDENT 
Operette in drei Akten von Carl Millöcker
13.01.2020 | 19.30 Uhr
Großer Saal Musiktheater

14

IL TROVATORE (Der Troubadour) 
Oper
14.01.2020 | 19:30 Uhr
Großer Saal Musiktheater

15

EXPERIENCE THE BRUCKNER ORCHESTER LINZ LIVE!

 

Klick for full concert calender 2018.19


"Having recently taken up the post as Chief Conductor, Markus Poschner directed the Bruckner Orchester Linz in
an invigorating performance of Mahler’s sensational second symphony, Resurrection, at the Usher Hall on Sunday
afternoon." Miranda Heggie, HeraldScotland

"Mahler’s ‘Resurrection’ Symphony is one of those works that feels like a special occasion every time you hear it.
How many other works deploy so many forces, and keep a huge chorus in tow to sing for only the final ten minutes?
Even considering that, this was one of those particularly special occasions, a time where the playing and the sense of
occasion coalesced to produce something extremely memorable." Simon Thompson, Seen and Heard International

The timpanist's galloping assault was explosive, like Wotan thundering onto the stage. Poschner made coherent
sense of Bruckner's stop—start writing, allowing phrases – and silences – room to breathe, the Woodbird flute
providing moments of repose. Bruckner's spine-tingling coda blazed in a burst of C major sunlight to bring a majestic
performance to a triumphant close. Mark Pullinger, Bachtrack

The idea of Mahler 2 in a venue of Cadogan Hall’s proportions is almost ridiculous: the stage is cramped even for an
orchestra of non-Mahlerian scale, there’s no organ and no obvious place for the choir. Beyond that, even if the
logistics were arranged, surely the piece’s shattering climaxes would be painfully excessive for the audience at such
close range? Not a bit of it – with a clever seating plan and careful moderation of balance, the Bruckner Orchester
Linz's performance combined both the epic and the intimate in a way one doesn’t often see.
Rohan Shotton, Bachtrack

The Bruckner Orchestra Linz were magnificent and they have a great conductor in Marcus Poschner, and they surely
will soon become one of the top orchestras in Europe, if not already! After hearing Mahler's Resurrection symphony,
really want to hear their Beethoven and Bruckner too! Gregor Tassie, Seen and Heard International

 

 

Photo: Reinhard Winkler

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